Robot dogs with the faces of Elon Musk, Jeff Bezos, Mark Zuckerberg and other famous figures roam an art gallery in Berlin, monitoring visitors, generating AI-powered images and printing them from their hind limbs.
The installation, called “Regular Animals,” is the company’s latest work Digital artist PebbleHis real name is Mike Winkleman. It is now on display at the New National Museum in Berlin until May 10, 2026.
The show combines robotics, artificial intelligence, celebrity culture, and non-fungible tokens into one intentionally bizarre package. It seems silly at first. Then it starts to feel a little uncomfortable.
Robot dogs with billionaire faces
The installation features a group of autonomous robotic dogs equipped with highly realistic silicone heads. Faces include Elon Muskjeff Bezos, Mark ZuckerbergAnd Andy Warhol, Pablo Picasso, and Bebel himself.
Reports from the exhibition also showed a robot dog with Kim Jong Un’s face. The result looks like a nightmarish version of a tech conference mixed with a museum installation.
The dogs move around inside an enclosed area at the exhibition. They don’t just sit there as sculptures. They walk, scan the room and interact with the space around them.
They monitor visitors, then create AI art
Each robot dog has cameras that take photos of visitors and the exhibit. The system then uses artificial intelligence to reinterpret what it sees through the style or personality associated with each character.
For example, a Picasso-themed dog can transform a room into something closer to Cubism. Warhol’s version leans toward pop art style images.
Then comes the part that made the artwork go viral. Dogs print AI-generated images from their backs.
Visitors can take home printouts for free. So, in plain terms, robot dogs are roaming around a museum in Berlin practicing the art of artificial intelligence.
Beeple turns AI culture into a weird joke
The piece is funny, but it’s not random. Beeple uses the ridiculous image of robot dogs with a celebrity’s face to make a point about power in the digital age.
The work asks a simple question: Who shapes culture now?
In the past, artists, newspapers, museums and governments played this role. Today, algorithms, technology platforms, billionaires, AI systems, and online interest circles do much of this work.
The NFT angle is still there
There is also a blockchain layer for installation. Visitors can reportedly claim free NFTs linked to the project through QR codes.
This is convenient Bible history. He became one of the most famous names in digital art after selling his NFT artwork “Everydays: The First 5000 Days” for more than $69 million in 2021.
Since then, Beeple has become a symbol of the NFT boom, digital art culture, and the uneasy intersection of technology, money, and online hype.
In “Regular Animals,” he seems to turn this world into a joke about himself.
From Miami to Berlin
The project debuted at Art Basel Miami Beach 2025 before moving to Berlin for Gallery Weekend Berlin 2026.
Its show in Berlin is also notable because it represents Bebel’s first institutional exhibition in Germany. This gives the work a more serious frame than a viral internet hoax.
However, the installation clearly wants to be shared online. Robot dogs with billionaire heads that print AI art out of their butts are almost custom-made for social media.
Why does it feel creepy
The disturbing part isn’t just the strange faces. It is how the work turns visitors into raw materials.
People enter the exhibit, the dogs monitor them, the AI processes them, and the machine outputs an image. This process reflects how digital platforms actually work.
We post, click, scroll, and watch. The platforms collect the signal, process it and then send something to us.
Beeple made that episode physical. Then he put a famous face on it.
“Ordinary Animals” comes at a time when AI art is already raising questions about authorship, consent, copyright, and originality.
The installation pushes these questions into a more uncomfortable space. Art shows artificial intelligence as something funny, grotesque, and robotic.
It also makes the energy structure visible. Machines are not faceless. They wear the faces of people and cultural icons associated with money, platforms, art, and influence.
So, yes, AI art is getting scary.
In Berlin, he now has four legs, the face of a billionaire, a camera, and a built-in printer.
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